英语词源字典 - 在线词源网站

accentuate (v.)[accentuate 词源字典]: 1731, from Medieval Latin accentuatus, past participle of accentuare "to accent," from Latin accentus (see accent (n.)). Originally "to pronounce with an accent;" meaning "emphasize" is recorded from 1865.
You've got to accentuate the positive
Eliminate the negative
Latch on to the affirmative
Don't mess with Mister In-Between

["Ac-Cent-Tchu-Ate the Positive," 1944, music by Harold Arlen, lyrics by Johnny Mercer]
Related: Accentuated; accentuating.[accentuate etymology, accentuate origin, 英语词源]
bebop (n.): 1944, from bebop, rebop, bop, nonsense words in jazz lyrics, attested from at least 1928. The style is associated with Charlie Parker and Dizzy Gillespie.
brotherhood (n.): equivalent of Old English broþerrede "fellowship, brotherhood," with ending as in kindred; in early Middle English the word was brotherhede with ending as in maidenhead. The modern word, with -hood, is from 15c. Originally "relationship of a brother," also "friendly companionship." Concrete sense of "an association, a fraternity" is from mid-14c. in the Middle English word (later also "labor union," 1880s). Old English also had broðorscipe "brothership," broðorsibb "kinship of brothers."
Oh, the Protestants hate the Catholics,
And the Catholics hate the Protestants,
And the Hindus hate the Muslims,
And everybody hates the Jews.

[Tom Lehrer, "National Brotherhood Week" lyrics, 1965]
hi-de-hi: call-and-response exclamation in singing, by 1933, associated with U.S. bandleader Cabell "Cab" Calloway (1907-1994) and especially his signature song "Minnie the Moocher," which dates from 1931.
Calloway recalled in his autobiography that the song came first and the chorus was later improvised when he forgot the lyrics during a radio broadcast. ["Harlem Renaissance Lives," Oxford, 2009]
hip hop: also hip-hop, music style, first recorded 1982. Reduplication with vowel variation (as in tip-top, sing-song); OED reports use of hip hop with a sense of "successive hopping motion" dating back to 1670s. The term in its modern sense comes from its use in the early rap lyrics of the genre, notably Grandmaster Flash and the Furious Five and The Sugarhill Gang in "Rapper's Delight."
kite (n.): bird of prey (Milvus ictinus), Old English cyta "kind of hawk," probably imitative of its cries (compare ciegan "to call," German Kauz "screech owl"). The toy kite first so-called 1660s, from its way of hovering in the air like a bird. The dismissive invitation to go fly a kite is attested by 1942, American English, probably tracing to the popular song of the same name (lyrics by Johnny Burke), sung by Bing Crosby in "The Star Maker" (1939):
Go fly a kite and tie your troubles to the tail
They'll be blown away by a merry gale,
Go fly a kite and toss your worries to the wind
And they won't come back, they'll be too chagrined.
lyric (n.): "a lyric poem," 1580s, from Middle French lyrique "short poem expressing personal emotion," from Latin lyricus "of or for the lyre," from Greek lyrikos "singing to the lyre," from lyra (see lyre). Meaning "words of a popular song" is first recorded 1876. Related: lyrics.
lyricist (n.): 1832, "one skilled in lyric composition;" from lyric + -ist. Meaning "one who writes lyrics" is from 1908.
Matilda: fem. proper name, from French Mathilde, of Germanic origin, literally "mighty in battle;" compare Old High German Mahthilda, from mahti "might, power" + hildi "battle," from Proto-Germanic *hildiz "battle," from PIE *kel- (1) "to strike, cut." The name also was late 19c. Australian slang for "a traveler's bundle or swag," hence the expression waltzing Matilda "to travel on foot" (by 1889).
In my electorate nearly every man you meet who is not "waltzing Matilda" rides a bicycle. ["Parliamentary Debates," Australia, 1907]
The lyrics of the song of that name, sometimes called the unofficial Australian national anthem, are said to date to 1893.
overcome (v.): Old English ofercuman "to reach, overtake," also "to conquer, prevail over," from ofer (see over) + cuman "to come" (see come (v.)). A common Germanic compound (Middle Dutch overkomen, Old High German ubarqueman, German überkommen). In reference to mental or chemical force, "to overwhelm, render helpless," it is in late Old English. Meaning "to surmount" (a difficulty or obstacle) is from c. 1200. The Civil Rights anthem "We Shall Overcome" was put together c. 1950s from lyrics from Charles Tindley's spiritual "I'll Overcome Some Day" (1901), and melody from pre-Civil War spiritual "No More Auction Block for Me." Related: Overcame; overcoming.
rock and roll (n.): also rock 'n' roll, 1954 in reference to a specific style of popular music, from rock (v.2) + roll (v.). The verbal phrase had been a Black English euphemism for "sexual intercourse," used in popular dance music lyrics and song titles since at least the 1930s.
Yankee Doodle (n.): popular tune of the American Revolution, apparently written c. 1755 by British Army surgeon Dr. Richard Schuckburgh while campaigning with Amherst's force in upper New York during the French and Indian War. The original verses mocked the colonial troops (see Yankee) serving alongside the regulars, and the Doodle element might have been, or hinted at, the 18c. slang term for "penis." The song naturally was popular with British troops in the colonies during the Revolutionary War, but after the colonials began to win skirmishes with them in 1775, they took the tune as a patriotic prize and re-worked the lyrics. The current version seems to have been written in 1776 by Edward Bangs, a Harvard sophomore who also was a Minuteman.
Cantopop: "A type of popular music combining Cantonese lyrics and Western disco music", 1990s: blend of Cantonese and pop².
ragga: "A style of dance music originating in Jamaica and derived from reggae, in which a DJ improvises lyrics over a sampled or electronic backing track", 1990s: from ragamuffin, because of the style of clothing worn by its followers. More rag from Middle English:A Scandinavian word for ‘tufted’ probably lies behind rag. In lose your rag (early 20th century) ‘to lose your temper’, rag is probably an old slang term for the tongue—the phrase was originally get your rag out. This sense of rag may well be behind the student rag or prank, found from the early 19th century, and the dated verb meaning ‘to tease, play a joke on’. From rags to riches describes someone's rise from a state of extreme poverty to great wealth, as in a fairytale like Cinderella. The concept is ancient, but the phrase was not recorded until the late 19th century, when a play called From Rags to Riches was mentioned in a US newspaper. A group of people regarded as disreputable or undesirable may be described as ragtag and bobtail. Bobtail (early 17th century) was an established term for a horse or dog with a docked tail, but rag and tag (LME of unknown origin) were separate words conveying the same meaning of ‘tattered or ragged clothes’. Putting them together gives you the literal sense of ‘people in ragged clothes together with their dogs and horses’. In one traditional folk song a lady leaves her house, land, and ‘new-wedded lord’ to run away with ‘the raggle-taggle gypsies’. Raggle-taggle (late 19th century) here is an elaboration of ragtag. Similarly ragamuffin is probably an elaboration of rag. The word is found once c.1400 as the name of a devil, but then not until 1586. The 1990s term ragga for a style of dance music is taken from ragamuffin, because of the style of clothing worn by its fans. Rug (mid 16th century), once a name for a type of coarse woollen cloth, is probably from the same root. The sense ‘small carpet’ dates from the early 19th century. So too is rugged (Middle English). ‘Shaggy’ was an early sense of rugged as was ‘rough-coated’ (in descriptions of horses).