英语词源字典 - 在线词源网站

memory [memory 词源字典]: memory: [14] The Indo-European base *men-, *mon- ‘think’ has contributed an enormously wide range of words to the English lexicon, from comment to mind. One particular semantic family denotes ‘memory’, and goes back to memor ‘mindful’, a Latin descendant of *men-. From it was derived the noun memoria ‘memory’, which has given English memory, memorize [16], memorial [14], and, via modern French, memoir [16]; and the verb memorāre ‘remember’, from which English gets commemorate [16], memorable [15], and memorandum [16] (not forgetting its abbreviation memo [19]).

Also from memor comes remember; and three other Latin descendants of *men-, meminisse ‘remember’, reminiscī ‘remember’, and mentiō ‘remembrance’, gave English memento [15], reminiscence [16], and mention respectively. The distantly related remind carries the same idea.
=> commemorate, comment, mention, mind, remind, reminisce[memory etymology, memory origin, 英语词源]
Apache: 1745, from American Spanish (1598), probably from Yavapai (a Yuman language) 'epache "people." Sometimes derived from Zuni apachu "enemy" (see F.W. Hodge, "American Indians," 1907), but this seems to have been the Zuni name for the Navajo.

French journalistic sense of "Parisian gangster or thug" first attested 1902. Apache dance was the World War I-era equivalent of 1990s' brutal "slam dancing." Fenimore Cooper's Indian novels were enormously popular in Europe throughout the 19c., and comparisons of Cooper's fictional Indian ways in the wilderness and underworld life in European cities go back to Dumas' "Les Mohicans de Paris" (1854-1859). It is probably due to the imitations of Cooper (amounting almost to plagiarisms) by German author Karl May (1842-1912) that Apaches replaced Mohicans in popular imagination. Also compare Mohawk.
coon (n.): short for raccoon, 1742, American English. It was the nickname of Whig Party members in U.S. c. 1848-60, as the raccoon was the party's symbol, and it also had associations with frontiersmen (who stereotypically wore raccoon-skin caps), which probably ultimately was the source of the Whig Party sense (the party's 1840 campaign was built on a false image of wealthy William Henry Harrison as a rustic frontiersman).

The insulting U.S. meaning "black person" was in use by 1837, said to be ultimately from Portuguese barracoos "building constructed to hold slaves for sale." No doubt boosted by the enormously popular blackface minstrel act "Zip Coon" (George Washington Dixon) which debuted in New York City in 1834. But it is perhaps older (one of the lead characters in the 1767 colonial comic opera "The Disappointment" is a black man named Raccoon). Coon's age is 1843, American English, probably an alteration of British a crow's age.
enormous (adj.): 1530s, "abnormal" (usually in a bad sense), from Latin enormis "out of rule, irregular, shapeless; extraordinary, very large," from assimilated form of ex- "out of" (see ex-) + norma "rule, norm" (see norm), with English -ous substituted for Latin -is. Meaning "extraordinary in size" is attested from 1540s; original sense of "outrageous" is more clearly preserved in enormity. Earlier was enormyous (mid-15c.) "exceedingly great, monstrous." Related: Enormously; enormousness.
grandfather (n.): early 15c., from grand- + father (n.), probably on analogy of French grand-père. Replaced grandsire and Old English ealdefæder. Grandfather clause originally (1899) referred to exemptions from post-Reconstruction voting restrictions (literacy, property tax) in the U.S. South for men whose forebears had had the right to vote before 1867 (thus allowing poor and illiterate whites to continue to vote). Grandfather clock is from 1894, originally grandfather's clock (1876), "a furniture dealer's name" [OED] from "My Grandfather's Clock," the 1876 song by Henry Clay Work that was enormously popular (and loathed) in late 1870s. It indicates that they were beginning to seem old-fashioned; they were previously known as tall case clocks or eight-day clocks.
sambo (n.2): stereotypical name for male black person (now only derogatory), 1818, American English, probably a different word from sambo (n.1); like many such words (Cuffy, Rastus, etc.) a common personal name among U.S. blacks in the slavery days (first attested 1704 in Boston), probably from an African source, such as Foulah sambo "uncle," or a similar Hausa word meaning "second son."

It could be used without conscious racism or contempt until circa World War II. When the word fell from polite usage, collateral casualties included the enormously popular children's book "The Story of Little Black Sambo" (by Helen Bannerman), which is about an East Indian child, and the Sambo's Restaurant chain, a U.S. pancake-specialty joint originally opened in Santa Barbara, Calif., in 1957 (the name supposedly from a merging of the names of the founders, Sam Battistone and Newell "Bo" Bohnett, but the chain's decor and advertising leaned heavily on the book), which once counted 1,200 units coast-to-coast. Civil rights agitation against it began in 1970s and the chain collapsed, though the original restaurant still is open. Many of the defunct restaurants were taken over by rival Denny's.
Southron (n.): "inhabitant of the southern part of a country," late 15c., variant (originally Scottish and northern English) of southren (late 14c.), on analogy of Briton, Saxon, from Old English suðerne or Old Norse suðrænn "southern" (see southern). Popularized in English by Jane Porter's enormously popular historical novel "Scottish Chiefs" (1810), and adopted in U.S. by many in the Southern states. She also used it as an adjective. Old English had suðmann "Southman."
But the moment I heard he was in arms, I grasped at the opportunity of avenging my country, and of trampling on the proud heart of the Southron villain who had dared to inflict disgrace upon the cheek of Roger Kirkpatrick. ["Scottish Chiefs"]
Spock: half-alien character in the "Star Trek" U.S. entertainment franchise, developed and named 1964 by series creator Gene Roddenberry, who later said he was searching for an alien-sounding word and not thinking of U.S. physician and child-care specialist Benjamin M. Spock (1903-1998), whose name is of Dutch origin. The doctor wrote the enormously popular "Common Sense Book of Baby and Child Care" (1946) and is the source of the first element in Spock-marked (1967), defined in OED as "(Adversely) affected by an upbringing held to be in accordance with the principles of Dr. Spock ...."
steatopygia (n.): "abnormal accumulation of fat on the buttocks of certain races," 1822, Modern Latin, from steato- "fat, tallow," comb. form of Greek stear (genitive steatos) "solid fat, suet" (see stearin) + Greek pyge "rump, buttocks" + abstract noun ending -ia. Related: Steatopygous "having enormously fat buttocks" [Century Dictionary]; steatopygy.
two-step (n.): dance style, 1893, from two + step (n.); so called for the time signature of the music (as distinguished from the three-step waltz). But as the positions taken by the dancers involved direct contact, it was highly scandalous in its day and enormously popular.
A certain Division of an Auxiliary gave a dance not long since. I went and looked on. What did they dance? Two-step, two-step and two-step. How did they dance? When we used to waltz, we clasped arms easily, took a nice, respectable position, and danced in a poetry of motion. Now, girls, how do you two-step? In nine cases out of ten the dear girl reposes her head on the young man's shoulder, or else their faces press each other. He presses her to his breast as closely as possible, and actually carries her around. Disgraceful? I should say so. Do you wonder at the ministers preaching on dancing as a sin, when it looks like this to a woman like myself who believes in dancing and has danced all her life? Mothers, as you love your girls, forbid them to dance after this manner. [letter in the ladies' section of "Locomotive Engineers' Monthly Journal," March 1898]

To the Two Step may be accredited, serious injury to the Waltz, awkward and immodest positions assumed in round dancing, also as being a prominent factor in overcrowding the profession and causing a general depression in the business of the legitimate Master of Dancing. ["The Director," March 1898]